Showing posts with label ages 5 to 8 years. Show all posts
Showing posts with label ages 5 to 8 years. Show all posts

Monday, 9 October 2017

Two Enchanted Tales from Old China

Two Enchanted Tales from Old China retold by Gabrielle Wang, illustrated by David Allan (Christmas Press) PB RRP $17.99
ISBN 9780994528025

Review by Wendy Haynes

There are two delightful tales in this picture book. The first tale, The Weaver Girl and the Cow Herd, is about two stars in the heavens that fall in love. Zhinu, the weaver girl, is the granddaughter of the Heavenly Empress, and she separates the two lovers. Niulng is banished to the land of mortals where he is reborn into a farming family and has no memory of the past but feels a connection with the stars. His loyal Ox is no ordinary Ox, and Niulang is guided by his wisdom in search of a bride.

The second tale, The Magic Fish Bones is about a time in the ancient country of Chin, where Ye Xian was left to slave for her stepmother and stepsister after her father dies. Though you could put this story alongside Cinderella; this story stands on its own two feet and has a totally different ending. Ye Xian has a fish with golden scales which she loves and tends too. After a while, the fish grows too big, and she releases it into a nearby pond.  Each day she calls the fish to the edge of the pond and gives it treats.  Her horrid stepmother kills the fish, but the bones are magic.

These stories will linger and would appeal to 6 – 8 years although they are in picture book form. The sentences are long and graceful. Gabrielle's other books include The Race for the Chinese Zodiac, The Garden of Empress Cassia, A ghost in my Suitcase and others.


Thursday, 8 June 2017

Bruno - Some of the More Interesting Days in My Life So Far

Bruno - Some of the More Interesting Days in My Life So Far by Katarina Valckx, illustrated by Nicolas Hubesch (Gecko Press) PB $19.99 ISBN 9781776571253

Reviewed by Dawn Meredith

The cover of this graphic novel to suit readers aged 5 to 9 years is very appealing with its simple cartoon style architecture and a small black cat, Bruno, as the main character. In some ways the content of this book is rather adult in its sentiment. To me it feels like the sort of story a parent would tell a child at the end of a trying day.

All the characters in this story are animals, with Bruno’s best friend being a horse called Ringo, his other friend Gloria being a shop keeping cow, Georgette the turtledove and his nemesis “the Dreadful Gerard” who is a grey wolf.

Six different days are examined in this book, the first being: A peculiar day, followed by, A rainy day, A day when the power went out, A stupid day (that ends pretty well), A much less interesting day and An almost perfect day.

Bruno is a rather compassionate little fellow who rescues smaller animals from a dire fate such as a tiny fish being forced to drink milk and nearly dying because it’s kept out of water. Bruno defends his little canary friend Tweety from an intimidating crow by letting out his ‘inner lion’ and roaring ferociously.

When Bruno’s friend Gloria calls him over to help her with a tiny problem – a canary flying around inside the shop he assesses the situation immediately:

“At Gloria’s, I saw the canary right away. He was all crestfallen.”

Hilariously, Tweety speaks but mixes up his words. Bruno is the only one who seems to understand him.

 “Caramel for the bridges,” Tweety said.
“You see? He talks nonsense.”
“Would you like to come on a picnic, Tweety?” I asked.
“Motorcoach,” Tweety replied, with a faint smile.

These stories are powerful in their simplicity with themes of friendship, compassion and awareness of differences. It reads more like an allegory or parable rather than a true story. Bruno has a matter-of-fact way of stating reality as he intuitively deals with the elements of his day, such as a car full of wild boars making a nuisance of themselves, or the situation where he had to let out his inner lion. After misunderstanding a situation with a raccoon and a crate of carrots, Bruno realises he can’t save everyone and always do the right thing.

“So much for helping the poor. I didn’t become a hero after all. At least, not that day. But I’d done my best and that’s not bad. (Ringo told me that to cheer me up.) Georgette suggested we go and get ice cream. The last item on my list! It’s not as easy as it seems to have a perfect day, but good ice cream helps a lot. Yum.”

In many ways Bruno represents the best in all of us, the inner coach who spurs us on to be optimistic about life and to do our best despite failures. I think this book is suitable not only for children but perhaps for adults too. There’s a really nice message here – an acceptance of what life throws at you and encouragement to hold onto simple faith in the goodness of things.

“That day, the power went out on my street. At night, so as not to be in the dark, I lit candles. It was very pretty. Since they don’t happen very often, I really like days when the power goes out.”


Wednesday, 24 May 2017

Where’s The Ballerina?

Where’s The Ballerina? by Anna Claybourne, illustrated by Abigail Goh (Quarto Group UK)  HB RRP $19.9   ISBN 9781782404507

Reviewed by Daniela Andrews

Some of the greatest stories in the world are presented as ballets, but their meaning can be lost amongst young audiences. ‘Don Quixote’, ‘Swan Lake’ … even ‘The Nutcracker’ can seem confusing. When I first picked up this charming, full-colour picture book, I thought it would simply be a look-and-find, ‘Where’s Wally’ style of activity book.  I was glad to discover it was much more than that – it is also a kid-friendly reference guide to ten different ballet productions.

The ballets presented in the book are: ‘Swan Lake’, ‘Romeo and Juliet’, ‘Giselle’, ‘The Nutcracker’, ‘La Bayadère’, ‘Coppélia’, ‘A Midsummer Night’s Dream’, ‘The Sleeping Beauty’, ‘Don Quixote’ and ‘Cinderella’. Two double-page spreads are devoted to each ballet. The first is an introduction. It features a plot synopsis, setting description and full-colour storyboard, accompanied with text, depicting seven main scenes from the ballet. The second double-page spread offers the look-and-find activity for that particular ballet. The illustration for the task is always a scene from that ballet, and readers need to find 5 - 7 hidden characters from that ballet. (For example, for ‘The Nutcracker’, they need to find Clara, The Nutcracker Prince, Dr Drosselmeyer, The Mouse King, The Snow Queen, The Sugar Plum Fairy and Mother Ginger.) As an added bonus, there is always a hidden peacock lurking amidst the scene, along with a ballerina in a white tutu. The answers have been included at the back, and are cleverly presented as darkened stage scenes with spotlights shining on the hidden characters.

This beautifully presented hardcover book is suitable for 5–8 year-olds, and would make a beautiful gift for a child about to start dance lessons or who is generally interested in ballet.