Thursday, 16 November 2017

Teens’ top 10 books of 2017

In the US, the Young Adult Library Services Association (YALSA), a division of the American Library Association, has announced the 2017 Teens’ Top 10 list of books nominated and voted on by teenagers across America. The top 10 books for 2017 are:
1.     Don’t Get Caught (Kurt Dinan, Sourcebooks)
2.     Scythe (Neal Shusterman, S&S US)
3.     The Sun is Also a Star (Nicola Yoon, Corgi)
4.     Lady Midnight (Cassandra Clare, S&S)
5.     This is Where it Ends (Marike Nijkamp, Sourcebooks)
6.     Heartless (Marissa Meyer, Pan)
7.     P S I Like You (Kasie West, Scholastic)
8.     Love & Gelato (Jenna Welch Evans, Walker Books)
9.     Genius: The Game (Leopoldo Gout, Square Fish US)
10.  If I Was Your Girl (Meredith Russo, Usborne).
Nominees for the Teens’ Top 10 were selected by members of book groups in 15 school and public libraries, with teenagers then being encouraged to vote online between 15 August and 14 October for their favourite titles.
For more information on the top 10, click here.

Wednesday, 15 November 2017

Max Booth Future Sleuth: Selfie Search

Max Booth Future Sleuth: Selfie Search by Cameron Macintosh, illustrated by Dave Atze (Big Sky Publishing) PB RRP $12.99
ISBN 9781925520880

Reviewed by Kylie Buckley

Max Booth escaped from a ‘Home for Unclaimed Urchins’ a couple of years ago and now lives/hides with his trusty robo-dog Oscar in the storeroom at the Bluggsville City Museum, where his best friend Jessie works.

The year is 2424 and Max assists Jessie by identifying old objects that come to the Museum, and earns himself a little bit of cash in the process. With the help of his beagle-bot Oscar, Max is able to problem solve like a professional. While Oscar’s favourite thing to do is to chase robo-rats he is truly Max’s ‘robotic super assistant’. Who wouldn’t appreciate an assistant who can project images into the air, make good use of their 3D printer, and activate their in-built metal detector whenever the situation calls for it?

Jessie comes across an old object she needs help with and Max’s initial disinterest turns to excitement when he discovers there’s more than meets the eye. They search through the ‘old’ 2017 phone’s photographs to find an abundance of pictures of a man who ‘definitely liked looking at himself’. The photos include one of the man holding a skateboard ‘an ancient one, with actual wheels on the bottom.’  Max and Jessie soon discover this photograph holds the key to a missing piece of Bluggsville’s past and a potential fortune…. and so, their ‘Selfie Search’ adventure begins.

Selfie Search is the second in a series of futuristic, humorous, fun-filled chapter books, suitable for readers 7+ years old. The book is written in the first-person and is set 400+ years into the future. A larger font, plenty of white space and scattered monochrome cartoon drawings target an audience just starting their journey with chapter books.

The future looks bright with the splinternet, zip-coasters, hover-skates and gigapixel cameras and no doubt young readers will be keen to follow more Max Booth adventures. If they haven’t already, readers are encouraged to check out Book 1: Tape Escape and stay tuned for more books in the series.

Monday, 13 November 2017

There’s A Crocodile on the Golf Course by Rachel Barnett

Can you tell readers about your latest book? Is it your first?                                                                There’s a Crocodile on the Golf Course is my latest book, and my first picture book. The picture book was released in February 2017. The story follows Croco as he plays a round of golf and gets into all sorts of trouble. He’s not the greatest golfer and is a quite impatient and cranky but his friends are there and help to save the day. The story is set on the Alyangula Golf Course on Groote Eylandt, which is a very remote part of the Northern Territory. 

Why did you choose to self-publish?
Firstly, I think I was a little impatient! I did send my manuscript off to a couple of publishers, but could not help myself continuing with the project! I kept editing and drawing and by the time I heard back the manuscript was almost unrecognisable. Whilst I am not sure that the process to publication happened any more quickly, I felt that I was actively moving forward with the project with every new step.

The opportunity to publish through another publisher did arise towards the end, just as I was about to send to the printers, but I decided to see the process through. I was able to make decisions around design and illustrate the story myself and since this book was originally intended to be for my children as a memento of living on Groote Eylandt this was important as I wanted the illustrations to be reflective of the actual place.

I also like a challenge, which is lucky as self publishing was a huge learning curve for me. I knew very little before I started, but enjoyed learning and developing my skills in so many different areas.

Why did you choose Holus Bolus Books as your publisher?                                                                    Holus Bolus Books is my own publishing business. I started it to facilitate self publishing for this project and the next that are coming along. I am also starting to work with others who are interested in creating books, mostly for personal reasons rather than as commercial ventures.
More information about Holus Bolus Books can be found at

If you had your work assessed and/or edited privately, can you give details please?
I was lucky to have some very talented friends who edited my work and critiqued my design and illustration: these ranged from teachers to graphic designers. I also approached a number of authors I had distant connections with who were already established and asked their advice. I was very lucky to find such generosity of time and to have the opportunity to learn from them.

How long did it take from starting the publishing process to receipt of advance copies?
Overall the project took about two years! Each step of the process involved a new learning journey and the second time around this should mean that, whilst there will always be a lot to learn, the road to publication should be more direct. I do think it was necessary to have that time to reflect and improve the story and illustrations however, so would not want to rush the next project either. From sending the final files to the printer and receiving the advance copies was relatively quick -- a little over a month.

How many copies did you get printed?
I decided to print an initial run of 1000 copies through Tien Wah Press. Because I live in such a remote location, the shipping for me was and continues to be a large cost.
I have also set up a print on demand option through Ingram Spark; however I miss the glossy look of the paper in this version, which I think is so important to children’s books. Also things like not being able to print on the end-papers proved to be a limitation. I am printing my colouring book through them though and I love how these have come up.

Are you happy about the quality of paper, design and printing?
Yes, I am very happy with Tien Wah Press. They were very helpful and the quality is great. But I chose them because I had seen other favourite picture books printed through them that I loved.

How will you distribute copies?
My books are for sale via my website, I will also use an Adelaide based distributor and will sell direct to some independent bookstores. Watch this space!.

Saturday, 11 November 2017

Interview with Alison Reynolds

Can you tell readers about your book?

These are the latest two picture books in the Pickle and Bree’s Guide to Good Deeds series aimed at children 4- 8. They explore social etiquette and positive behaviour in a light, humorous way. The Playground Meanies is about bullying and The Big Snow Adventure tackles respecting rules.

Each book features a Handy Guide to Good Deeds on the last page, which can be used as a discussion point for adults and children.

What is the book’s history to publication?
The Five Mile
Press commissioned these books as part of an ongoing series. The editor approved my initial concepts after a bit of toing and froing.
                                                                                            Do you have an agent?
I don’t have an agent, but having a husband who is an accountant helps me a lot. He is a whizz at examining contracts and chasing up royalties.

Why did you choose Five Mile Press as your publisher?
I’ve worked with The Five Mile Press for many years and value highly my relationship with them. They’ve offered me many wonderful opportunities to write many different style books. They’re perfect match for somebody like me who enjoys a challenge.

How long did it take from submission of your manuscript to receipt of advance copies?The whole process from initial concept to being edited took about five months.

Which editor did you work with? Was there a lot of work that needed to be done to your manuscript? How was the editing experience for you?
I worked with the super talented Melissa Keil at The Five Mile Press. She manages to point out where the text can be improved with tact and perspicacity. There was not as much work needed as for the first two books, because I know the characters now. With Melissa, I feel we’re working together to make the books the best books they can be.

Who is the book’s illustrator? Why do you like her work?
Mikki Butterley is a brilliant illustrator who lives in the north of England. She comes from a background of creating cards, and her attention to detail is extraordinary. I adore her work for the sense of fun she captures. Whatever wild whacky idea I come up with in the text, Mikki seems to be able to match it up with a gorgeous illustration. I also love her colour palette.

Anything else you’d like to say about your publisher?
I would recommend The Five Mile Press to illustrators and other authors. They produce a range of different fabulous products, which makes it an exciting company to work with.

Have you written other books for children?
I’ve had over 70 books published, including board books, picture books, chapter books, choose-your-own-adventure style books and even a non-fiction adult book.  I work for different publishers, which helps me maintain a flow of work.

Do you belong to a writing group?
I’ve belonged to a few writing groups in the past. One group has transformed into a lunching group of close friends as I’m the only one who still writes on a full-time basis. I firmly believe writing groups can be excellent especially when you’re starting out, but you need to be in one that suits you. If you find you’re in a toxic writing group that makes you feel bad, belittled and if you’re the one who is doing all the work, run. I’m lucky enough to be working with editors who give me thoughtful, excellent feedback, so I’m not in a writing group at the moment.

I had a few outstanding writing tutors/mentors when I studied, for example Janey Runci, Sari Smith, Rachel Flynn and Marg McKenzie. 

What are you working on at the moment? 
I have an idea that I’m playing with for a series for 6- 8 year olds. I’m not at the stage of sending it out to publishers yet, but hope to be there soon. I’ve had a variety of books published, including picture books, board books, chapter books, middle grade books and even an adult non-fiction book.

Anything else you’d like to add?
To aspiring writers out there: never give up; never give up; never give up.
I would love you to check out my website at

Thursday, 9 November 2017

A Christmas Menagerie

A Christmas Menagerie edited by Beattie Alvarez (Christmas Press) PB RRP $24.99 ISBN 9780994528049

Reviewed by Allison Paterson

Christmas is a time of sharing, a time for families to gather and a wonderful opportunity to enjoy the delight of a collection of short stories. A Christmas Menagerie contains twelve well-crafted animal tales, each with its own special touch of Christmas charm.

Written by both established and emerging authors, most of the stories are structured as fables with anthropomorphised animals and a moral to explore. Janeen Brian’s clever wombat discovers his perfect Christmas tree. Sophie Masson’s Barney Brown the bear has some trouble with the baking of his Christmas cake, that is, until he discovers the magical ingredients of sharing and friendship. From the environmental message of Victoria Nugent’s hatchling turtle, whose journey to the ocean is confused by Christmas lights, to the humour of A.P. Harper with Colin the sausage dog and his misadventures, children will enjoy the short stories that are perfect for an evening read in the lead up to Christmas.

I particularly enjoyed the originality of Michael Pryor’s dieting, slim, trim Santa in his lycra suit and his helper, an exhausted pig. Santa’s helper has been entrusted with the consumption of Santa’s snacks, but he just can’t eat any more cookies and milk! 

Included are entertaining stories from Gabrielle Wang, Sherryl Clark, Rachel Nightingale, J.A. Thorndyke, Michael Grey, Rebecca Fung and Michael McGoldrick.

Illustrated by Kathy Creamer, Fiona McDonald, Ingrid Kallick and Yvonne Low, the images add a touch of old-worldliness to the tales. The cover, which may not appeal to all young readers, does enhance the quaint nature of the collection and is reminiscent of times past. Lovely for sharing with children of early to mid-Primary years, A Christmas Menagerie offers the chance to dip in and enjoy each unique tale while adding to the seasonal cheer.

Wednesday, 8 November 2017

When the Cat’s Away

When the Cat’s Away written by Donna Gibbs, ill. Lionel King (MoshPit Publishing) PB RRP $14.95 ISBN 9781925666434

Reviewed by Allison Paterson

Gussie and her well-to-do family have arrived at their new home, a charming and comfortable mouse house at Le Café des Chats in Paris. Both her twin brother Pierre and Gussie are eager to explore their new surroundings, but not before Papa Mouse reminds them of the dangers that could be about. Soon enough, Pierre falls victim to the broom of a waiter and is catapulted onto a delivery van distributing baguettes throughout the city. Gussie rescues her brother but they are now far from their new home and must find their way back. Gussie leads the way, but danger is ever-present. 

The narrow escapes of the mice as they trek the unfamiliar streets of Paris add a humorous touch to the tale, as does the final illustration. Just when Mama and Papa decide they will be quite safe living in their new home another danger is lurking just beyond the mouse hole.

With the delightful sites of Paris and its cuisine, combined with French words and phrases, When the Cat’s Away provides an opportunity to share both the culture and the experience of losing one’s way in Paris (yep, been there, done that …). The feeling of being lost could also be familiar to the reader and worthy of further discussion. The illustrations are varied in layout, capture the tone of the city and enhance the tale. An enjoyable read to share with children of the early childhood years.

Sunday, 5 November 2017

Interview with Donna Gibbs

Can you tell readers about your latest book? Is it your first?                                          

My eighth self-published book, When the Cat’s Away, illustrated by Lionel King, is a picture book for young children. It is about Gussie and Pierre, twin mice, who have moved with their family into their new home in Paris beneath the Café des Chats. They are soon caught up in heart-stopping adventures that put their loyalty, quick thinking and courage to the test.
Why did you choose to self-publish?

While I regularly publish educational books with traditional publishers, I haven’t managed to have my children’s books accepted in that way. I have come very close – right up to the last marketing meeting a few times. But it is all very painful! Naturally enough they want full control and while I accept their ideas may be better than mine, they have often persuaded me to let go the things I most cared about. Self-publishing is also full of pitfalls but you do end up with a book you have created.

If you used a publishing service, what services did the company offer?

I used Reedsy, an online firm who have professionals who quote for the work you need done in editing, book and cover design and marketing. They offer plenty of expert, useful advice and a range of online courses, many for free. They employ professionals from around the globe. You pitch your needs to persons of your choice and it is up to them to quote for the work you want done. I chose an Australian professional to do the layout, design and cover for the book. She charged Cover HB $400, Internals $500, Press files $100 and archived final files $50 – a total of $950. It was quite daunting making a choice as there were so many great people available and charges varied enormously.

MoshPit Publishing did the printing for us. For around $1400 they provided a printed proof copy, publishing via Amazon and Ingram to their distributors for global print-on-demand sales (inc. Barnes & Noble, Booktopia, and more), publishing of ebook via Amazon and Smashwords to their distributors for global sales (inc. Kindle, Apple iBookstore, Kobo etc), 10 copies of the final published book and Legal Deposit copies ordered and posted to the relevant locations (universities, libraries). Jennifer and Ally Mosher were quick, efficient, responsive and knowledgeable. They make a very special team and I would certainly choose to work with them again.

How long did it take from submission of your manuscript to receipt of advance copies? 

It took around six weeks from submission to MoshPit until we received advance copies. There were some unavoidable delays not caused by Moshpit so it could easily have been quicker.

Why did you choose MoshPit?

I had read favourable things in a Foot in the Door article about MoshPit Publishing, an Australian company located in the Blue Mountains. I contacted them along with several other companies but found MoshPit gave the most useful answers. I liked their friendly tone and lack of a hard sell.

How many copies did you get printed? And what was the unit cost? 

Initially I had 150 copies (including ten free) printed at the cost of $7.00 each. I have just ordered another 100 with the cost going to $7.25.

Are you happy about the quality of paper, design and printing?

The quality of paper, design and printing is excellent. I did wonder if I should have made the book larger (it is 20 x 20) but now that I am used to it, it feels exactly right
How will you distribute copies?

Copies are available as a print book through contacting me on my website ( or from places referred to above such as Book Depository in the U.K ( ) (free postage) for $15.97; Amazon for $11.95 U.S plus postage; The MoshShop for $24.95 (free postage in Australia).

It is available as an ebook from Amazon and Smashwords for around $3.00.

Anything else you’d like to say about your experience?

The whole experience of creating the book was a delight. My illustrator was such a pleasure to work with and the finished product exceeded my expectations. We know children are enjoying the book as we’ve had many messages telling us so from parent and teachers. Self-publishing in my experience is not likely to be financially rewarding, but for satisfaction and a sense of fulfillment it can be very rewarding.