Showing posts with label Ross Collins. Show all posts
Showing posts with label Ross Collins. Show all posts

Friday, 21 April 2017

Mabel Jones and the Doomsday Book

Mabel Jones and the Doomsday Book by Will Mabbitt illustrated by Ross Collins (Penguin Books/Puffin)  PB RRP $16.99 ISBN9780141362939

Reviewed by Dianne Bates

I couldn’t wait to review this, the next children’s novel in the Mabel Jones series as I absolutely loved the last one, Mabel Jones and the Forbidden City. (There’s also the first book, The Unlikely Adventures of Mabel Jones). Generally I don’t much care for fantasy books, but Will Mabbitt is such a good writer that genre doesn’t matter – story does and so do his characters.

For a start, there are 31 short and quirky chapters, also a map at the front of the book (kids – and I – love maps in novels!) and then Chapter One title The End, followed by the words ‘Not long after you’ve finished reading this sentence, the whole hooman race will become extinct.’ But (of course), not Mabel Jones ‘who skipped the fate the rest of you will suffer, by virtue of being snatched from the present and pulled deep into the footure: a footure without hoomans.’ But maybe – just maybe – Mabel can stop it happening…

Breath-taking, isn’t it? And it's very funny, laugh-aloud and very witty. By now (and we’re not even on to Chapter two), I’ve been snatched by the story, engrossed and sucked in. I’m sure, too, that readers aged 8 + years will be, too.

Before long Mabel Jones is on her way to the city of Otom in search of the legendary Doomsday Book, an ancient document that might save you and me, the book's readers. But! Otomo is a dangerous place, packed with soldiers, spies and stinking rebels which Mabel has to overcome – that and the dreaded Grand Zhoul.

If Mabbitt could illustrate, his pictures would be exactly like those Ross Collins produces – attention-grabbing, idiosyncratic and very funny. There are plenty of Collins’ black and white line illustrations scattered throughout the book along with lots of typography – words and phrases of all sizes which again jump out to engross the reader.


Full of vigour, surprises, humour that is sometimes laugh aloud, other times simply witty, this is a book I’d give to any child, but especially to a reluctant reader because once they started reading, I could pretty much guarantee they’d be reluctant no longer. Highly recommended.

Saturday, 27 February 2016

Mabel Jones and the Forbidden City

Mabel Jones and the Forbidden City by Will Mabbitt, illustrated by Ross Collins (Puffin Books) PB RRP $16.99

Reviewed by Dianne Bates

This book for readers 8+ years is unique, highly original and very exciting for this adult reader who has been reviewing children’s books for decades as it is so different! One reason is that there are two narrative voices controlling the story. There’s a first person omniscient (eccentric) narrator who takes the reader on a guided tour through the story from place to place, often setting the scene and atmosphere. Here’s the start of chapter five: ‘Oh, it is too much! Avert your eyes from the gruesome spectacle. Close this grisly book you read. Close it at once, I say. AT ONCE! Hand it to a responsible adult to throw upon a bonfire.’)

This narrator is intercepted at times by a third person narrator relating the adventures of the tale’s protagonist, Mabel Jones, whose baby sister Maggie is abducted by magic vines. Sometimes the first voice seamlessly merges into the second voice as the reader is catapulted into a series of awesome adventures that involves creatures such as buzzards and llamas, and places such Offal Stop and the Great Murky River.

Early in the book, as she searches for her stolen sister, Mabel is led into the filthy Hotel Paradiso, a place in the future in the City of Dreams in the Noo World populated with talking animals, all of which are quirky and eccentric and dressed outrageously. Mr Habib, a monkey who runs the Sacred Museum of Beaks, tells Mabel she is in great danger and that ‘only the pure of heart can defeat the dark magic.’

Not only is there rich and quirkily (and often exaggerated) descriptive language and non-stop action in this so-very-different novel, but the book is designed to look incredibly tempting for its young readers with words frequently presented in outstanding font and typeface. The frequent black and white illustrations are as creative as the text; in one section, the reader is even invited to examine an illustration to ‘see’ the book’s outlandish characters.



According to The Times, this innovative book (the second in a series) has ‘a dash of Lemony Snicket’ but in no way is it derivative. I can see it winning awards and young readers telling friends to beg, borrow or steal it. Highly recommended.