Arabella’s Alphabet Adventure

Arabella’s Alphabet Adventure by Suzy Zail, illustrated by Christopher Nielsen (Walker Books) ISBN 9781760652425 RRP $25.99

Reviewed by Nean McKenzie

This picture book is about an alphabet book in a library with just twenty-six letters, called Arabella’s Alphabet Adventure. The main character, Arabella, is a book fairy and is not happy for her book to be on the lowest shelf in the library with ‘Especially for Children’ written above it. She wants to get away from children with sticky fingers and go towards the top shelves, where books with lots of words are kept. Sneaking her book into the pages of a travel book, she experiences adventures in Africa which are fun at first, but then Arabella realises what she’s lost. She makes her way back to the children’s section, where her book can be borrowed and loved as it should be.

Brightly coloured illustrations accompany the text in this book about the importance of appreciating the good things about yourself. Arabella’s Alphabet Adventures is described as the most beautiful book in the library, with a P that ‘still smelled faintly of pineapple’ and an S that ‘dazzled in a galaxy of silver stars.’ But Arabella still feels her book is not exciting enough. She eventually comes around to seeing that an alphabet book teaches children to read and love books. And what could be more amazing than that?

This is Suzy Zail’s first picture book after more than thirteen novels for adults, primary school children and teenagers. Christopher Nielsen is also a noted illustrator of many books around the world. Arabella’s Alphabet Adventures is suitable for early to mid-primary school children.  

Alexander Altmann A10567

Alexander Altmann A10567 by Suzy Zail (black dog books)

PB RRP $ 18.95

ISBN 9781922179999

Reviewed by Anastasia Gonis

Alexander Altmann at fourteen years old loses his name and becomes a number at Birkenau. Separated from his mother and sister by the wire fence, he pretends to be sixteen and is put into the men’s section to work.

Shattered at learning his young sister has gone to the gas chambers, and not knowing what became of his parents, he clings to ‘just get through the day’ as a lifeline. He watches as other boys get shot or kicked to death and he is determined not to be next.

When Alex is moved to the extermination camp at Auschwitz, his farm life and experience with horses, places him in the Horse Platoon to care for the animals. The decision to keep to himself and feel nothing for no one is fuelled by the smoke, smell and sight of death that constantly surrounds him. Even the friendship offered to him by the persuasive Isidor, another young horse-handler, is totally rejected.

It takes a new horse, a wild, frightened being, very much like himself, ‘to teach him how to be human’ again. As the Russian troops draw nearer and freedom is in sight, Alexander Altmann reclaims his name, along with many other things that were taken from him.

This deeply moving novel is based on the real life story of a Holocaust survivor. Suzy Zail has built powerful, heartbreaking images of the brutal life in concentration camps. The hunger, inhumanity and deprivation are presented in strong visual narrative. Suzy’s previous novel, The Wrong Boy, set in the same era, was short-listed for the 2013, CBCA Book of the Year Award.  

The Wrong Boy

 The Wrong Boy by Suzy Zail (black dog books, an imprint of Walker Books)
PB RRP $18.95
ISBN 9781742031651
Reviewed by Vicki Stanton

The Wrong Boy is a fictional account of a girl and her family struggling to survive one of history's most horrific events, the Holocaust. It is compelling reading. Written in first person, I felt I was there with Hanna every step of the way as her family is deported from their comfortable middle-class home in Budapest to the atrocities of Auschwitz concentration camp.

As the Mendels arrive at Auschwitz, Hanna, her sister Erika and mother are separated from her father. She never sees him again. Hanna finds solace in her music and eventually finds herself as pianist in the commandant's house. Hanna is ignored by all there. She is the invisible provider of the classical music. She feels the particular disdain of the Karl, the commandant's son, but later discovers that Karl's distance is not due to anti-Semitism but rather his own disgust towards his father and the Final Solution.

Life in Auschwitz is not glossed over: how the need to survive drives divisions within the Jewish women prisoners, the decline in the physical and mental health of Erika, and the relative health of Hannah are marked.

The romance between Hanna and Karl is delicately handled and not overplayed. Internal and sibling conflicts over the relationship simmer throughout. I thought it brave to introduce this element but Zail uses a deft hand and it adds to the poignancy of the story right to the very last line.