Showing posts with label Timothy Basil Ering. Show all posts
Showing posts with label Timothy Basil Ering. Show all posts

Sunday, 27 October 2013

Wild Boy: The Real Life of the Savage of Aveyron


Wild Boy: The Real Life of the Savage of Aveyron by Mary Losure, illustrated by Timothy Basil Ering (Walker Books)
HC RRP $24.95
ISBN 9780763656690
Reviewed by Anastasia Gonis

The first sight of the wild boy who would be later known as ‘the savage’, was recorded as being in the mountains of Southern France in 1797. Initially seen by a couple from the village of Lacaine, naked and digging for roots in the ground, he was  tied up by two woodsmen and carried to the town square where he remained for days on public display. He somehow escaped and returned to the forest.

Little is known of how the boy came to be in the forest, for the past of other children discovered in wild places that are recorded in history, lack the same information:  a boy living with wolves in Germany, 1544; a boy discovered with bears in Lithuania 1661; the boy living with a flock of sheep in Ireland (year unrecorded), and ‘five wild girls and five wild boys found in various places throughout Europe during the 1700s’. These children were classed by scientists as belonging to the species Homo ferus, (Wild Man).

Wild boy’s life is not thoroughly documented as the written reports are scientific studies and do not give a great deal of personal information. His time in a ‘civilized’ environment was difficult, for compassionate people tried to give him a home but he suffered at his separation from the natural world and always escaped back to nature. Professor Pierre-Joseph Bonneterre, a priest-scientist of natural history, tried to teach the boy but saw him only as a specimen and in his reports named him the Savage of Aveyron.

The Savage was later named Victor by Doctor Itard. Abbe Sicard, the famous ‘miracle worker’ who ran a school for Deaf-Mutes, and who took Wild Boy in to try and teach him, granted permission to Itard to concentrate on teaching Victor how to speak. For this he received a yearly payment by the government. For five years Itard succeeded in teaching him many things, but not how to speak.

This is a moving document of a boy who represents all the children found in the wild over time. It is also a subject rarely approached due to lack of documentation, therefore little is known of these wild beings except that they were never completely ‘civilized’. It appears that their passion for the wild places was indelibly imprinted in their psyche and nothing could remove their longing for freedom, the natural world, and the elements, which they saw their place of belonging.

Friday, 26 October 2012

Snook Alone


 Snook Alone by Marilyn Nelson, illustrated by Timothy Basil Ering (Candlewick Press/Walker Books)
PB RRP $16.95
ISBN 978-0-7636-6120-5
Reviewed by Anastasia Gonis

There is a special bond between Snook, the rat terrier, and Abba Jacob. They do everything together.  Abba Jacob along with several others is asked to help catalogue the plants and animal species of seven islands. Snook of course goes too. He fills his time chasing rats, digging, marking trees and enjoying all kinds of adventures while Abba Jacob does his work.

It is during one of these adventures on Avocaire Island, that Snook and his friend are separated. Gale force winds cause the sky to darken. Snook is busy digging and chasing rats, and doesn’t hear Abba Jacob’s calls and whistles above the roar of the wind. The gale forces the workers’ small boat to anchor in the lee of a larger island. When at last Snook tries to follow the Abba’s scent, it ends at the water’s edge. He is forced by the wind to find shelter.

Snook sits at the water’s edge each day where the scent ends and waits and waits. He sees crabs and birds of many kinds, but not Abba Jacob. Turtles make their way up the sand and lay their eggs, then turn back towards the sea.

Snook learns the sad loneliness of being left alone; the pain of being separated from a friend. But trust and faith live on in Snook within ‘a vast circle of longing’. And there, within that circle, Snook waits for Abba Jacob’s return.

An emotional and moving tale of faith and trust, and the pain of being separated from someone you love, is presented in poetic prose. The endearing illustrations are produced in acrylic and ink, with more than adequate text which allows older readers to enjoy this excellent picture book. Although it is aimed at age 4-7+, it is more than suitable for an ageless audience due to the absolute beauty of the book.