Showing posts with label Zoe Gaetjens. Show all posts
Showing posts with label Zoe Gaetjens. Show all posts

Tuesday, 14 July 2026

Drawing Nudes While Making Other Plans


Drawing Nudes While Making Other Plans
by Zoe Gaetjens (Penguin) PB RRP $19.99 (PB) ISBN 978 1 76135 801 2

Reviewed by Jude Mullen

Cleo Markson is in her final year of high school and trying to navigate the uncertainties and insecurities that often accompany this stage of life, especially when doing something new. Having a plan helps, and thanks to her sister Emmy, Cleo has several plans, including one for her final school year. Step 5 in this plan is “find your friends. Your real ones”.

Attending a four-week art school program during the holidays is a courageous move for  Cleo. Although she is anxious and insecure at first, she is determined to stretch herself and sit with her discomfort, even if it means having to look at and draw live nude models.  Making friends with self-assured Remi and outgoing and gregarious Lachlan really helps Cleo to feel more comfortable and at ease with herself and with being around others. And then there is Mattias – quiet, attractive, and somewhat aloof.  Cleo is instantly both attracted to him and unsettled by the effect he has on her, and she isn’t sure how to read him let alone how to talk to him.

This novel is much more than a teenage first-love story. We discover that each of the characters is grappling with some tension in their lives. We see Cleo work through issues around grief and anxiety and emerge more confident and assured. The novel also subtly touches on pertinent teenage concerns such as body positivity, consent and bullying.

It is a comfortable and fairly light read with nothing too heavy or disturbing for teenage readers, but there is certainly enough to keep them interested. The setting and context feel familiar, and the characters are well-formed and very relatable. It would be suitable for teens aged 14-years and older, who are looking for a traditional, contemporary romance story.

Thursday, 9 April 2026

Drawing Nudes While Making Other Plans


Drawing Nudes While Making Other Plans
by Zoe Gaetjens (Penguin Random House) PB RRP $19.99 ISBN 9781761358012

This is an Australian teen romance for readers who love Nina Kenwood, Jenny Han, Tobias Madden and Becky Albertalli.                                                                                                                                                                                

Plan for the perfect summer before year 12:                                                                                                                                   * Do a life-drawing course at the Australian Art School. (Try not to freak out the first time you have to draw a naked man.)

* Find your friends. (Your real ones.)
* First kiss?! (Only if it’s with the right person.)
* Try not to wish your sister were still here. (Impossible!)

The publisher says this is ‘a warm and funny novel about finding yourself . . . in a room full of strangers, drawing naked people.’

Thursday, 30 October 2025

Being Indy


Being Indy
by Zoe Gaetjens, illustrated by Estee Sarsfield (WestWords Children’s) HB RRP $29.95 ISBN: 9781923044517

Reviewed by Dannielle Viera

Everyone longs to live on the Mountain. But the leader, Percival, has rules to stop people from fighting: ‘black and white only’, ‘big hair only’ and ‘the very tallest only’. Indy doesn’t match any of those things. So, she disguises herself with charcoal and chalk, then places a nest on her head and stilts on her legs. Percival allows her to cross the bridge to the Mountain. When a bright red bird hatches in Indy’s nest, it refuses to stay hidden. In trying to save her bird from Percival, Indy’s deceit is revealed … as is that of the other children on the Mountain. Percival realises that everyone is different, and this is okay.

Zoe Gaetjens’ astonishing allegory works on several levels. Children aged four to eight will immediately recognise Indy’s desire to fit in and be inspired by the idea of staying true to yourself. Older readers will appreciate the broader significance of the story from a modern political viewpoint, as religious clashes and the plight of refugees prove that acceptance of diversity is far from universal.

 

Estee Sarsfield’s intriguing decision to depict the Mountain as a ginormous jungle gym is visually arresting. Rather than being monotonous, the monochromatic Mountain is a striking collection of jagged lines and popping patterns. The rich red used in both Indy’s vest and the bird’s feathers is an evocative nod to the heartfelt courage required by both to celebrate their individuality.

 

Deep and dynamic, Being Indy is a picture book that deserves to be read many times. Each perusal will draw out a new and interesting interpretation of the tale, as well as a greater admiration for the strength of independence.

Monday, 29 September 2025

Being Indy


Being Indy
by Zoe Gaetjens (Dirt Lane Press)

There was no finer place to live than on the Mountain. Folks came from everywhere wanting to live there, including Indy. But the Mountain was overseen by Percival, and he had rules. He didn't let just anyone in. Set in the bold and surprising world of playgrounds, big hair and defiant colour, this tale charts Indy's journey to independence as she tries to fit in and ultimately discovers the true worth of being herself.

Saturday, 9 March 2019

Mad About Metaphors and other Poetic Problems


 The following short story, ‘Mad About Metaphors and other Poetic Problems’ by Zoe Gaetjens was Highly Commended by Jackie French in the 2018 inaugural Buzz Words Short Story Prize.


Mo liked to talk. He liked to ask questions. And he liked to tell people what he was thinking. Most adults didn’t like Mo talking. In fact, barely a day went by when Mo wasn’t shushed. Just yesterday his mum shushed him. Mo had asked if Mrs Petrovich was pregnant with twins. She wasn’t pregnant. She was standing right there. She was not pleased.

It happened on Saturday too. Mo spent ages waiting for his dad outside the shop toilets. He asked his dad if he’d done a poo.
‘Mo, shh,’ his dad said. But seeing as he didn’t answer the question, Mo figured he must be right. His dad had been in there for a while.
‘Everyone poos,’ Mo said. ‘It really shouldn’t be a problem.’
His dad shushed him again.
Mo was constantly shushed at school too. By his teacher, the canteen mums, even his friends. So, when he had the opportunity to share his thoughts, without being shushed, he took it.
It all began in a poetry lesson. Yep, poetry. As soon as Mrs Wobbegong wrote ‘Poetic Imagery’ on the board Mo’s eyes rolled. His head slumped to the table. Floral arrangement would be more stimulating. Sifting sand would be more exciting. Cutting grass with scissors would be fascinating in comparison. Or so Mo thought. Mo was as close to a snooze as his Uncle Albert after Christmas lunch, when suddenly, in the foggy haze at the back of his brain Mrs Wobbegong’s notes made sense. It was like someone had flicked a switch in his head. Like the buzz you feel when you touch a friend after hurtling down a slide. Mo got it. He totally got it. Poetry didn’t have to be dull. It wasn’t just greying men rowing swooning women in white dresses around. It was about expressing yourself. Describing the world. Saying how you felt and what you thought, without being shushed. 
An idea began taking shape in Mo’s head. He raised his hand.
‘So you’re saying that writing a poem is like painting pictures using words. And poets use these word pictures, these metaphors and similes, to tell people how they see the world?’
That’s what Mo said. But he was thinking, ‘No one shushes a poet!’
Mrs Wobbegong attempted, not particularly well I might add, to re-shape her facial expression. Best not look too surprised she thought to herself. It might send the wrong message. But she was surprised. She had not expected her lesson to have gone so well. She had certainly not expected such poetic musings to be on her students’ lips, least of all a student like Mo.
Mrs Wobbegong tried not to be over the top. She didn’t usually like to make such a fuss, however, this answer was so good. Mo had hit the nail on the head.
‘Mo, how wonderful. What a great way to explain it. Yes, word pictures, quite right. One can never get enough of poetry.’
Boy would she live to regret saying that. In that moment, a can of worms had been opened that would be very difficult to close. Once Mo was encouraged there was no slowing him down. Mo was ready to share his thoughts with the world.
          He began with Greg. ‘Greg, your book is full of chicken scratchings.’

‘Huh?’ Greg looked confused.
Priya giggled. ‘He’s saying your hand writing is crazy messy,’ she explained before returning to her long division.
Mrs Wobbegong smiled, ‘Accurate observation Mo, and great application of the poetic content. Excellent cross curricular connections.’
This was fun, Mo thought. He hadn’t been shushed and he had been complimented. It was a good morning. He kept going.
‘That answer needs to be locked up in an insane asylum Tashi, it is crazy.’
Mrs Wobbegong nodded, ‘Another, amusing metaphor Mo.’
‘Mrs Wobbegong is it recess yet? Time is an injured snail inching slowly forward.’
‘Not how I’d encourage you to view my lesson Mo, but brilliant imagery.’
Fuelled by his teacher’s praise Mo was not slowed down by recess. He continued to share his thoughts via word pictures. ‘My mouth is a black hole,’ he shouted, almost between bites. ‘I’ll eviscerate everything in my path.’
Greg was still having trouble understanding Mo. Black hole he got, eviscerate not so much. 
‘He means demolish,’ Priya explained.
Greg’s face remained blank. ‘Eat.’ Priya translated.
‘Greg you’re as slow as the last 5 minutes before home time,’ said Mo.
Priya did not explain that one. Instead she said, ‘Mo, that one was pretty mean.’ But she didn’t shush him.
Things did not go so well after recess. Mrs Wobbegong was going over the instructions for her art lesson. Mo was feeling frustrated.
‘Mrs Wobbegong, you’re like last night’s spicy sausage dinner. I know you don’t want to be forgotten, but do you need to keep repeating yourself?’ Mo burped for emphasis. Yep, somehow that spicy sausage was still hanging around.
Mrs Wobbegong was beginning to regret her previous comments.
‘That’s enough Mo,’ she said. ‘I think we all need a little break. Over to timeout. And no more metaphors!’
Unfortunately, it was a little too late for that. Mo wasn’t like a bull at a gate. The gate had been opened and he was charging around the field, using his words to take down all in his path.
From the timeout desk Mo caught a whiff of something nasty and just had to tell everyone.
‘That stench is as bad as our garbage before bin night,’ Mo called out looking at Greg. ‘Was that you?’
Mo didn’t notice his friend’s face crumpling, a piece of paper discarded in the bin. He didn’t see Mrs Wobbegong’s face reddening, her rage a pimple about to explode. Mo didn’t notice his friend or his teacher because his underwear was beginning to inch up his bottom and he had another thought to share.
‘My undies are playing tug-a-war and my butt is losing out.’ Mo said.
The class feel about in laughter. Mrs Wobbegong erupted.
 ‘Shhhhhhhhhhhh!’
There it was. The shush was back.
‘I warned you Mo. No matter how poetic your thoughts are, they don’t always need to be shared,’ Mrs Wobbegong took a breath, calming herself, finding composure. ‘Although you do need to share one more time today. To the principal. Now!’
Mo knew that Mrs Wobbegong didn’t really mean he should share all his thoughts with the principal. He was beginning to remember that sometimes shushing could be helpful. But, when Principal Eggsnert let out an enormous sneeze as Mo entered his office there was no way to stay quiet.
‘Your cold is so bad- ‘
Principal Eggsnert cut him off. ‘Ahhh, yes Mo.’
Mo’s thoughts needed to be set free. He tried again.
‘Your nose is a-’
‘Mo,’ Principal Eggsnert stopped him a second time.
By now Mo was bouncing up and down, a ball of excitement. He couldn’t contain it. ‘There are-’
‘Mo I’ve been hearing reports about you.’
Mo could stand it no longer. He grabbed the nearest pencil and scrawled his thought so he wouldn’t lose it.
A nose cave full of bats hanging around.
Now it was Principal Eggsnert’s turn to stop.
‘Bats in the cave?’ offered Mo by way of explanation.
Strangely Principal Eggsnert didn’t shush Mo. He didn’t shake his fist, or give Mo detention. No. He laughed. And reached for a tissue.
‘You certainly have a way with words,’ he said. ‘I think writing them down, instead of blurting them out, is a good idea.’
And it was a good idea, a very good idea. Mo wrote, and wrote, and wrote.  And no one had to shush him. At least not until Mrs Wobbegong’s lesson on alliteration. When big, bouncy bottom was just begging to be bellowed out loud.