Showing posts with label Edel Wignell. Show all posts
Showing posts with label Edel Wignell. Show all posts

Wednesday, 11 July 2018

Being Business-Like as a Writer


Taxation Departments regard writers and illustrators as 'Small Business'. Even if you are a new writer and don't earn enough money to pay tax, it's a smart idea to work in a business-like way. Then, when the time comes, the transition is easy.

This advice was given in a session called 'Taxation for Writers' at an Australian Society of Authors (ASA) seminar that I attended in the early eighties before I was earning enough to pay tax. A tax consultant advised on procedures that would simplify the drudgery of 'getting the figures together' at the end of the financial quarter or year. Here is my procedure, based initially on his advice and changed from time to time to suit different circumstances.

I write short stories, verse, scripts and articles for magazines (for adults and children), as well as junior novels, non-fiction books and picture-stories. I keep track of them by means of Card files and a Day Book. (If yours are major works, such as writing one novel or illustrating one picture-story a year, then you will always know where your work is placed.) Available now is software which does this job, but I like the portability of cards and a Day Book.

A. CARD FILES (Note that this can be computerised)
1. Each item of work has its own card, filed in its category: short stories, picture stories, articles, verse, scripts, novels, collections - in sections for adults and children. A quick glance tells the history of the work.
When I send a piece of work out, I write the date and the market; later, the date of acceptance followed by the payment, written in green felt pen, or the date of rejection followed by the next market.
Some items have a long history. If an item is out longer than four or five months, I send a reminder. If payment is slow, I send an account. If the item is returned, I send it out again, and make a notation, 'revised', if I re-write. I offer second rights and send items overseas.
I have retained copyright to most of my work and have been able to offer some for inclusion in story and poetry anthologies. I offer non-exclusive rights so that I am free to market my work again.
On the back of the cards, I note expenses, such as: postages, short story entry fees, photocopying costs...
2. Each market has a card: newspapers and magazines (adults and children), trade publishers, education publishers, radio programs. Five columns show date sent, title, category (short story, verse...), date of acceptance, date of return.
B. DAY BOOK (Note this can be spread-sheet on your computer)
I use a spiral notebook, page-numbered and divided into sections. Categories are listed on a Contents page under Expenses and Income. Three columns show date, details and fees. Whenever I pay by cheque, I include its number.

1. EXPENSES
Postages: Daily, as I post items, I enter them. My Post Office Box fee is also included once a year.
Telephone: Local and interstate charges are entered on separate pages. Half telephone rental is included.
Fares and Travel: This includes local travel by public transport and travel by car for speaking engagements. (Charges are based on kilometres and the cc capacity of the car.) Fares and travel costs paid by hosts for interstate travel for talks, research, appointments... are recorded.
Printing and Stationery: The usual office items, plus computer software and photocopying - coin-in-the-slot and copy card costs.
Subscriptions and Memberships: Add the cost of daily newspapers, for these are essential research tools for all kinds of writing.
Books: A collection of books may be depreciated annually, or new books related to the earning of income may be listed.
Workshops, conferences and seminars: Registration payments.
Fees: Include fees paid to enter competitions. If you are a compiler, fees paid to authors for permission to include items in an anthology. Fees paid for professional computer maintenance and advice.
Accountancy: Eventually you may decide to engage a tax consultant. This was my decision in 1986 when I had bought a computer, software and printer, and wasn't sure which of three ways was best when claiming depreciation.
Publicity and Advertising: Fliers, bookmarks, photographs and the purchase of your own books to give away.
Home Office: see Special Notes
Donations: List gifts to charitable organisations.
Hardware: Record details of the purchase of computer hardware, office desk, chair and filing cabinet. (Note that computer hardware can be depreciated and software cannot.)
Depreciation: see Special Notes.
Input Tax Credit: see Income: Copyright Agency Limited

2. INCOME
I list under the following headings:
Features and articles
Short Stories
Scripts
Verse
Royalties
Lectures, Workshops, School Visits
Public Lending Rights and Educational Lending Rights
Copyright Agency Limited - payments made when individuals or organisations photocopy works or segments of works. There is a commission involved in this, which is an Input Tax Credit. Multiply the amount by 11 and list it as a tax deduction.
Sale of books - if you buy new or remainders for re-sale, record purchase price and sales

3. SPECIAL NOTES
* File all royalty statements, receipts, etc, in two large envelopes - income and earnings.
* Originally, I had to discover how to depreciate office items, such as typewriter, tape-recorder, computer and printer. Now I leave it to my taxation consultant.
* Claim Home Office or Home Studio expenses on a room used exclusively for this purpose. The area of my study is about one-seventh of the total house area, so I list expenses (lighting, heating, water rates, council rates, insurance, body corporate fee) and divide by seven.
* Other items that may be tax-deductible: depreciation on office furnishings and fittings, repairs to office equipment, furniture and fittings, office cleaning, proportion of home loan interest, proportion of rent for a flat or a house, wages paid to assistants, legal fees in respect to contracts, proportion of overseas travel expenses...

When I engaged a taxation consultant, I explained my organisation and asked whether she had any suggestions. 'That's fine,' she said. 'All I need is your Day Book and totals of extra income from investments and bank interest.'

The system works for me. I hope it works for you!

© Edel Wignell
Edel Wignell is a freelance writer, compiler and journalist. Her latest titles are Tying the Knot: Folk Tales of Love and Marriage from around the World and Tying the Knot: Teacher Resource Book for Years 6-9 (Phoenix Education).
This article was first published in Writers' Forum (USA).



Sunday, 23 October 2016

One Minute till Bedtime

One Minute till Bedtime edited by Ken Nesbitt illustrated by Christoph Niemann’s (Little, Brown Books for Young Readers) HB RRP US$14.99 AU $39.99
ISBN 9780316341219

Reviewed by Dianne Bates

This is a 176 page substantial compilation of new poems for children by over 130 poets including Americans Jane Yolen, Jack Prelutsky, Jon Scieszka, Mary Ann Hoberman, and Lemony Snicket. It is compiled by former US Children’s Poet Laureate Nesbitt, himself a frequent contributor, and consists of “60-second” poems designed to send children ‘off to sleep.’
Presented with over 140 new poems by many of today’s most prominent children’s poets including Australians such as Edel Wignell, Meredith Costain, Janeen Brian and Mark Carthew, readers are treated to lyric nighttime reflections on topics as disparate as relationships with favorite pets or grandparents, beloved “toasty, warm jammies,” post-dinner activities, and reflections on the moon. There is also plenty of nonsense verse sure to inspire wild dreaming “on the road to morning.” These pithy poetic observations and New York Times illustrator and award-winning artist Christoph Niemann’s engaging and witty illustrations present a collection for the average child -- poems are mostly simple and entertaining rather than challenging or educational. The target market for readers is children aged 5 to 9 years.
Here are links to the book on IndieBound, B&N, and Amazon:   http://www.indiebound.org/book/9780316341219   http://www.barnesandnoble.com/w/one-minute-till-bedtime-kenn-nesbitt/1123210580   https://www.amazon.com/One-Minute-till-Bedtime-60-Second/dp/0316341215/

Tuesday, 16 August 2011

Bilby Secrets

Bilby Secrets by Edel Wignell, illustrated by Mark Jackson (Walker Books)
HB RRP $29.95
ISBN 9781921529320
Reviewed by Vicki Stanton

Bilby Secrets is a wonderful book which explores the desert world of the Greater Bilby and aims to highlight the vulnerability of this unique Australian marsupial. Undoubtedly the strength of the book is the fictional story of Mother Bilby and her son and factual snippets running consecutively throughout.

We follow Baby’s growth under the guidance of Mother until he is mature and strikes out by himself into the harsh desert environment of the Pilbarra in Western Australia where Greater Bilbies make their home. Other desert inhabitants are also introduced. These include a fox, an olive python and a golden orb-weaver. Each spread also contains text in a different font which explains the behaviour and habits of bilbies including their food, habitat and reproduction.

Wignell writes in an engaging manner that draws the reader into the bilbies’ journey. Her text is perfectly complemented by Mark Jackson’s colourful illustrations that bring the desert world to life. Rather than being an empty landscape, Jackson shows the desert in all its variety and also from the perspective of the bilbies. (That is one big python!) The colours of the Western Australian outback provide a wonderful palette for him to draw from and he makes full use of it.

The book is further complemented by a brief introduction to the bilby at the beginning and an index at the back of the book. This would make a wonderful addition to libraries and a perfect gift, especially to send overseas.

Monday, 18 April 2011

Christina’s Matilda

Christina’s Matilda by Edel Wignell, illustrated by Elizabeth Botté (IP Kidz)
HB $26.00, eBook $13,00
ISBN 9781921479878
Reviewed by Margaret Warner

Who was Christina Macpherson and what was her connection to the famous ‘Waltzing Matilda’?

The front endpaper reveals to the reader the historical nature of the story. The paper resembles an old, faded book and the maps orient the reader to places that are significant. As you turn the pages of this beautifully presented book, the story of Christina Macpherson’s life slowly unfolds. The illustrations are beautifully detailed combining paintings and drawings, maps, photos, posters and programs, letters and sheet music.

In 1895 while Banjo Paterson was visiting Christina’s brother, Christina played a marching tune that she had heard the previous year and Banjo Paterson composed words to go with the tune. Significantly, the song was neither copyrighted nor published at that time. However, when the song was published several years later to promote Billy Tea, a few words were changed and the musical arrangement was credited to Marie Cowan. She did not claim to have arranged the tune, but at that time Christina’s contribution was not known. It took many years before the historian and bush balladist, Richard Magoffin discovered Christina’s contribution to this famous Australian song.

Reading the story of Christina’s Matilda is like looking through an old scrapbook, faded with time with sepia coloured pages with beautiful borders; pages that are filled with personal memorabilia that tell a fascinating story and shed light on the origins of ‘Waltzing Matilda’.


Thursday, 14 April 2011

Long Live Us!

Long Live Us! by Edel Wignell, illustrated by Peter Allert  (IP Kidz)
HB RRP $26.00, ebook $13.00
ISBN 9781921479465
Reviewed by Margaret Warner

Take one greedy troll, add a group of Goodies: three bears, three pigs, one princess and frog prince. Add a group of Baddies: Goldilocks, a hungry wolf, a wicked witch and add Jack’s giant for good measure. Mix them up in a fractured fairytale and you end up with a riotous tale told with quirky humour about Goodies and Baddies and crime and punishment. Readers will realise by the end of the tale that a story without baddies would simply be ‘dreary, deadly-dull’.

This is a wonderful read-aloud story that can be dramatised and thoroughly enjoyed by reader and listener. Readers will love the he rhyme and rhythm of the language…’The witch is a crone –all string and bone. But the Princess and her Guy will be yummy as pie.’

Peter Allert’s illustrations are vibrant and full of humour. They entice the reader to check for small details that reveal more about the characters and scenes.
    
Primary students who are already familiar with all the characters in the book will thoroughly enjoy their new and unexpected adventures.